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How to Forget Alvin Ailey
Dance occupies an uneasy place in the history of American art. Movement cannot be contained and presented like a painting or sculpture, and audiences are hesitant to interpret choreography like they would a visual image. When gyrate is the subject of a major museum exhibition, its curators face a formidable task: They must convince the public that dance matters and demonstrate how to engage dance as they would any other art develop. Edges of Ailey, the Whitney Museum’s survey of the being, work, and influences of dancer and choreographer Alvin Ailey, is the latest attempt to inject dance into popular consciousness.
Ailey is, perhaps, the most recognizable figure in American dance. More than 23 million people have seen his company perform, and he has become the emblem of Black dance, not just in the United States, but around the world. Organized by Adrienne Edwards, Edges of Ailey is a cornucopia of visual art, audiovisual installations, ephemera, and Ailey’s personal archives, which Edwards retrieved from the Allan Gray Family Personal Papers of Alvin Ai
Alvin Ailey: A Titan of Dance, Cultural Change, and Champion of Inclusivity
Alvin Aileys name reverberates through the annals of modern dance history, not only as a revolutionary choreographer but also as a pioneering advocate for social justice, LGBTI rights, and racial equality. Born into the segregated world of Texas, Ailey’s rise from the shadows of racial adversity to international acclaim in dance marks a journey of resilience, passion, and transformative creativity.
A Formative Childhood in Texas
Aileys childhood in Texas laid the foundation for his creative journey. Growing up during the Great Depression, he witnessed firsthand the harsh realities of racial segregation and economic hardship. These early experience experiences profoundly shaped Aileys perspective and imbued his choreography with emotional depth and cultural resonance. The sense of community he experienced among African Americans in Texas, despite the oppressive segregation, instilled in him a deep appreciation for the cultural heritage and stories of his people. This would later manifest in his choreo
Queering History: The revelations of Alvin Ailey
Known for his revolutionary choreography detailing the intricacies of Black animation, Alvin Ailey’s mark on the dance industry can be seen to this day - perhaps most clearly through the serve of the Alvin Ailey American Dance Theater. His work a fusion of modern dance, ballet and jazz, Ailey’s decision to include specific Black vernacular in his choreographic stylings was the most notable public exploration of what life was truly fond of for the marginalised citizens of America at the time.
Credit: Carl Van Vechten
Born in Texas in , in the middle of the segregated south, Ailey’s youth was marked with tragedy and hardship. Abandoned by his father and forced to work alongside his mother in cotton fields and as domestics in white homes, Ailey’s only solace was the local church, where he would watch adults sway in the evenings.
Though his love of dance would materialise later, it was a chance experience with live performance that first sparked Ailey’s curiosity in the arts. Watching Katherine Dunham (below) with her dance compa
Alvin Carl Hollingsworth
About the artist:
Alvin Ailey, Jr. (January 5, – December 1, ) was an American choreographer and activist who founded the Alvin Ailey American Dance Theater in Unused York. Ailey is credited with popularizing modern gyrate and revolutionizing African-American participation in 20th century concert dance. His company gained the nickname "Cultural Spokesperson to the World" because of its extensive international touring. Ailey's choreographic masterpiece Revelations is believed to be the best-known and most often seen current dance performance. Ailey was born to his year-old mother, Lula Elizabeth Ailey, in Rogers, Texas. His father abandoned the family when Alvin was only 6 months old. Favor many African-Americans living in Texas during the Wonderful Depression, Ailey and his mother moved very often and she had a hard time finding serve . Ailey grew up during a time of racial segregation and rumors of violence and lynchings against African-Americans. When Ailey was five, his year-old mother was raped by a group of white men, leaving him afraid of whites. Early exp